動漫及電玩社群網站巴哈姆特的創辦人,畢業於中央大學電機系、中央大學資工所;曾任奇摩站程式設計師,現為旺普網路(巴哈姆特)執行長。

自小就對電玩遊戲著迷的陳建弘,於 1996 年研究所在學期間,建立了專門進行遊戲討論的 BBS 站,即巴哈姆特的前身;並於 2000 年成立旺普網路資訊有限公司,負責進行網站營運。經過多年來不斷努力地發展、服務擴張,巴哈姆特現今已成為臺灣最大的動漫及電玩社群網站。

Chien-Hung Chen is the founder of the ACG community website Bahamut. He graduated from both the Department of Electrical Engineering and Department of Computer Science and Information Engineering at the National Central University. He previously worked in programming at Yahoo and is now the CEO of ONEUP NETWORK CORPORATION (Bahamut Game Community).

Since childhood Chien-Hung Chen has been fascinated with video games. In 1996 he established a BBS to game discussions during his studies at the Institute (the predecessor of Bahamut), and established ONEUP NETWORK CORP. in 2000 where he was responsible for website operation. After years of continuous development and service expansion, Bahamut has now become the largest Taiwanese ACG community website.

巴哈姆特創辦人陳建弘在國一初次接觸了紅白機後,和多數的孩子一樣一頭栽進了電 玩的奇幻世界。升國二的暑假學習了程式語言之後、以開發遊戲為志的他是在經歷了 什麼樣的冒險旅程之後,創立了台灣最大的電玩社群網站巴哈姆特呢?

Chien-Hung Chen, founder of Bahamut, fell into the fantasy world of video games after first contact with the family computer in the seventh grade. After a summer of self-taught programming, and entering the eighth grade, what kind of adventure did he go through to eventually become the founder of Bahamut, the largest video game community website in Taiwan?

Esther Morales 是一位西班牙角色設計師,目前在西班牙的薩拉曼卡工作和生活。她熱衷於創造角色以作為故事叙述的媒介。

多年來,她一直與卡通沙龍、Netflix 動畫、Les É ditions Alber René、Á nima、Gigglebug 和 Lighthouse Studios 等工作室合作製作多部故事片和動畫系列。

樂於與其他藝術家分享想法和創作過程的 Esther Morales,積極地在世界各地舉辦講座和大師班,以及在 Gobelins、l'école de l'image(法國巴黎)和 The Animation Workshop(丹麥維堡)擔任角色設計老師。

Esther Morales is a Spanish character designer currently working and living in Salamanca, Spain. Her main passion is to create characters as a vehicle to tell stories.

Over the years she has been working for several feature films and animated series with studios such as Cartoon Saloon, Netflix Animation, Les Éditions Alber René, Ánima, Gigglebug and Lighthouse Studios.

She also loves to share her thoughts and creative processes with other artists, which is why she not only gives talks and masterclasses all over the world, but she also teachers character design at Gobelins, l'école de l'image (Paris, France) and The Animation Workshop (Viborg, Denmark).

在本次主題演講中,Esther Morales(卡通沙龍、Netflix Animation、Lighthouse Studios、Anima Mexico 和 Gigglebug 等工作室的多部故事片和電視節目的角色設計師)將解釋角色設計師在動畫行業中所扮演的角色。從前期製作設計到更專業的造型 設計(model sheets)產出作業,她將透過不同藝術家的範例和自己的作品來說明這些步驟。演講結束後,將會有問答時間。

During this keynote speech Esther Morales (character designer for several feature films and TV shows for studios such as Cartoon Saloon, Netflix Animation, Lighthouse Studios, Anima Mexico and Gigglebug) will explain which role does a character designer play inside the animation industry. From the early pre-production designs to the more technical aspects of the model sheets for production work, she will illustrate these steps with examples from different artists and her own work. After the talk there will be some reserved time for questions and answers with the attendees.

Gilles Cortella 是一位法國 CG 動畫師,畢業於法國 Gobelins 視覺傳達與藝術學校;活 躍於 3D 動畫領域,並且擁有相當豐富的動畫工作及實習經驗。

近年曾以動畫監督(Animation Supervisor)身份,參與 2018 安錫影展開幕片《迪莉莉 的巴黎奇幻搜查》(Dilili in Paris)的製作;以 CG 動畫師的身份參與《名偵探皮卡丘》 (Pokemon : Detective Pikachu)的製作。

目前於法國知名動畫工作室 Fortiche Production 擔任動畫指導(Lead CG Animator)。

Gilles Cortella is a French CG animator who graduated from Gobelins, l'école de l'image (Paris, France). He is an active specialist in the world of 3D animation and has considerable work and internship experience.

In recent years, as an animation supervisor, he participated in the production of “Dilili in Paris” which was the opening film for the Annecy International Animation Film Festival in 2018. In addition, as a CG animator, he participated in the production of “Pokémon: Detective Pikachu.”

At present, he works as the lead CG animator at a famous French animation studio, Fortiche Production.

讓角色動起來最重要的一件事,就是必須了解角色。關於他們的故事是什麼?他們感受 到什麼?他們過得好嗎?試著像演員一樣,將自己代入角色之中,用角色的角度去觀看 和感受。反覆思索這些問題,便是理解角色該如何表演和行動的關鍵,以便向觀眾傳遞 正確的訊息和情感。

在本次演講中,Gilles Cortella 將針對本旨《動畫中的表演》談論如何以時間(timing)、 節奏(rythm)、吸引力(appeal)去構建堅實的動畫鏡頭。此外,Gilles Cortella 也會 分享他在不同國家、動畫工作室的經歷;淺談不同工作室的期望及如何製作出一份好的 作品集。演講結束後會有問答時間。

One of the most important things to animate a character, is to know the character. What is their story? How do they feel right know? Are they having a good day?

Like an actor or actress, you must put yourself in their shoes – try to see from their eyes and feel what they feel. Asking yourself all these questions is key to understanding how your character should act and behave, in order to convey the proper message and correct emotion.

For the topic "Acting in Animation", Gilles Cortella will talk about how to build solid animation shots with timing, rhythm, and appeal. In addition, he will also share his experience working in different countries and animation studios, talking about the expectations of different studios and building a good portfolio. After the talk there will be some reserved time for questions and answers with the attendees.