Janaka Rajapakse是國立臺南藝術大學-動畫藝術與影像美學研究所的副教授。 他於2005年和2008年從日本北陸先端科學技術學院獲得碩士和博士學位。 他的研究領域涉及電腦動畫、虛擬現實、擴增實境、觸覺界面、人工智慧、動作捕捉技術、電腦圖學、3D列印、互動媒體和感性工學。

Janaka Rajapakse is an Associate Professor at the Graduate Institute of Animation and Film Art, Tainan National University of the Arts, Taiwan. He received his M.Sc. and Ph.D. degrees from the Japan Advanced Institute of Science and Technology in 2005 and 2008. His research interests include computer animations, virtual reality, augmented reality, haptic interfaces, artificial intelligence, motion capture techniques, computer graphics, 3D printing, interactive media, and Kansei engineering.

XR是延展實境(Extended reality)的簡稱，包括虛擬實境（VR）、擴增實境（AR）和混合實境（MR）技術和應用。這些技術是實體和數位世界融合的結果，結合了沉浸式體驗和與數位內容互動的新方式。XR被廣泛應用於不同行業，如遊戲、醫療保健、教育、建築、汽車和娛樂等，用於培訓、模擬、可視化和娛樂等用途。這是一個快速發展的領域，具有廣泛的應用和創新潛力。在這次演講中，我們探討XR設計過程在創建沉浸式體驗中的關鍵作用。我們深入探討了在擴展現實（XR）環境中互動性和直觀性的重要性。了解如何謹慎設計可以增強用戶在虛擬、擴增和混合現實空間中的參與和理解。我們邀請您參加我們深入討論的活動，探討通過專注於用戶體驗來推動XR應用成功的關鍵原則和考慮因素。

The XR industry is short for the “Extended Reality” industry and encompasses virtual reality (VR), augmented reality (AR), and mixed reality (MR) technologies and applications. These technologies are the result of a fusion between the physical and digital worlds, combining immersive experiences and new ways of interacting with digital content. XR is widely used in different industries, such as gaming, healthcare, education, architecture, automotive, and entertainment, among others, for training, simulation, visualization, and entertainment purposes. It’s a rapidly evolving field with a wide range of applications and potential for innovation. In this speech, we explore the critical role of the XR design process in creating immersive experiences. We delve into the significance of interactivity and intuitiveness within Extended Reality (XR) environments. Discover how thoughtful design enhances user engagement and comprehension in virtual, augmented, and mixed-reality spaces. We invite you to join us for an in-depth discussion of the key principles and considerations that drive the success of XR applications through a focus on user experience.

三宅将平於日本動畫產業擔任分鏡師和單集動畫導演。 從立命館大學影像藝術與科學院畢業後，加入了BONES工作室 (又稱骨頭社)。 目前作為自由工作者參與David Production(又稱大衛社)的動畫製作。近期擔任「轟天高校生」的助理導演。

I work in the Japanese animation industry as a storyboarder and episode director. After graduating from Ritsumeikan University's Department of Image Arts and Sciences, joined Studio Bones. Currently working as a freelancer on David Production's films. Recently worked as an assistant director on Spriggan.

我將講解關於日本動畫產業的優勢、劣勢，以及它的缺點。 接著，我將以其中一位參與者的身份，談論我在動畫產業中的建立過程，展望前景，實際經歷了怎麽樣的經驗，以及我對未來的看法。

I will explain about the Japanese animation industry, its strengths and its flip side, its shortcomings. Then, as an example of one of the participants there, I will talk about how I set myself up in the animation industry, with what kind of prospect, and what kind of experience I am actually having and how I see the future.